Six thematic groupings from the Klaudia Marr stable — each a quiet argument about medium, place, and time. Browse by what moves you, then inquire directly on any work that lingers.
Collections at Klaudia Marr are not categories for storage — they are curatorial positions. We bring together artists whose practices converse, even when their mediums diverge. Filter by what draws your eye; every work here is available for acquisition or exhibition loan inquiry.
Elin Henriksson's meditations on the slow amber of October evenings above the 60th parallel. Built from a year of plein-air studies near Tromsø, the series reads less as landscape and more as memory of light.
Inquire about this collectionTomasz Wójcik's vessels hold nothing but space. Cast in lost-wax bronze and finished by hand in his Kraków foundry, each piece is a counter-argument to the idea that sculpture must declare itself.
Inquire about this collectionMaren Achebe's long-exposure photographs of doorways, hotel corridors, and the liminal minutes before a room becomes a memory. Printed in editions of seven on Hahnemühle Photo Rag.
Inquire about this collectionIdris Bell's newest wall pieces refuse the line between painting and drawing. Each work is constructed from off-cuts of previous canvases, scored, dyed, and re-stretched — a quiet audit of process.
Inquire about this collectionHana Vasari's ongoing drawing cycle begun during a residency at the Orto Botanico di Padova. Specimens rendered with the precision of a 19th-century naturalist and the impatience of a contemporary eye.
Inquire about this collectionSaoirse Ó Conchúir paints the slow reclamation of post-industrial skylines — Sheffield, Lille, the Ruhr. The horizon is always present; the labour that shaped it has already left the frame.
Inquire about this collectionA collection at Klaudia Marr is built the way an essay is built — one strong sentence at a time, then a long edit. Here is how a body of work earns its place in the gallery.
Our curatorial team spends roughly a third of the year in studios — in Berlin, Lisbon, Mexico City, Lagos, Kyoto. We work from the practice outward, not the market inward. Nothing enters the stable on trend alone.
Each work is accompanied by a signed certificate of authenticity, exhibition history where applicable, and condition report prepared by a conservator we trust. We maintain a permanent digital archive accessible to confirmed buyers.
A collection is a sentence. We group works where the conversation between them is generous, not obvious. The result is a body of pieces that hold their own individually but read more honestly in chorus.
Every collection page links to a private inquiry form. We respond within two working days with availability, viewing options in our physical gallery, and — where relevant — conversation with the artist themselves.
Send a quiet note. We will reply with availability, viewing times at the gallery, and any context from the artist that might change how you see it.