Represented Artists · 2024 Programme

A Roster of Considered Voices
in Contemporary Practice

Klaudia Marr Gallery represents a select group of mid-career and emerging artists whose work engages material, memory, and place. Each is shown through curated exhibitions, international art fairs, and museum partnerships.

The Roster

Six Artists, One Editorial Sensibility

Working across painting, sculpture, ceramics, and mixed media, the represented artists share a commitment to craft, a quiet rigor of image, and a willingness to let the work breathe.

Painting
Berlinb. 1979

Anke Vorberg

Oil on Linen · Landscape

Vorberg paints the slow architecture of the Baltic coast — harbors at dusk, long horizons held in suspension. Her work is held in the collections of the Hamburger Bahnhof and the Boros Foundation.

"I want the picture to be quiet the way water is quiet — full of something beneath."

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Sculpture
Warsawb. 1972

Tomasz Halpern

Cast Bronze · Steel

Halpern's monumental bronzes occupy the threshold between vessel and figure. Recent commissions include a 4.2m sculpture for the Vltava waterfront in Prague and a chapel installation in Leuven.

"Bronze remembers the heat that made it. I want the viewer to feel that remembered heat."

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Ceramics
Kyotob. 1985

Hana Kuroda

Wood-Fired Stoneware

Trained in Mashiko and resident in Kyoto, Kuroda's vessels record the ash, flame, and weather of a seven-day kiln cycle. Her work is in the collections of the 21_21 Design Sight and the Sèvres national museum.

"The kiln decides what the pot will be. My hand is only the first suggestion."

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Photography
Lagosb. 1990

Ifeoma Adesanya

Archival Pigment Print

Adesanya photographs the domestic interiors of West African modernist architects between 1960 and 1985, recently published as Vessels of Air by Hatje Cantz. Her prints are held by the Tate and MoMA.

"These rooms were arguments for a future that was interrupted. I am trying to continue that argument."

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Mixed Media
Lisbonb. 1981

Mariana Couto

Collage · Textile · Pigment

Couto assembles archive cloth, lead, and hand-pulled pigment into wall-bound panels that read as portable architecture. Her 2023 survey opened at MAAT and travels to Kunsthal Rotterdam in spring.

"I want my work to feel like a memory that has been folded and unfolded too many times."

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Works on Paper
Mexico Cityb. 1976

Rodrigo Beltrán

Graphite · India Ink

Beltrán's drawings of botanical specimens, rendered at the scale of the body, have been acquired by the Museo Tamayo and the Kadist Foundation. A monograph is forthcoming with Editorial RM in autumn 2024.

"A drawing is a slow conversation with one leaf, and then another, and then the weather between them."

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How We Work

A Program Built on Long Relationships

Representation at Klaudia Marr is editorial rather than transactional. We work with a small number of artists, over decades rather than seasons.

Curatorial Attention

Each artist is shown every 18 to 24 months in a focused solo or two-person presentation, accompanied by a printed or digital essay and a collector preview.

International Reach

We exhibit annually at Art Basel, Frieze London, and Frieze Seoul, and maintain institutional relationships with museums, foundations, and curators across Europe, Asia, and the Americas.

Estate & Archive Care

For estates and foundations, we provide cataloguing, conservation referrals, and legacy planning — including the recently completed Anke Vorberg catalogue raisonné (2014–2023).

Open Submissions

Considering Joining the Roster?

Twice a year — in March and October — Klaudia Marr reviews submissions from artists at any career stage. We respond to every portfolio within six weeks, and we read every PDF we receive.